PROTO TIME #2 by Herman prime

3329785513 df610b3a0a PROTO TIME #2 by Herman prime

Everybody’s hyped about dubstep nowadays. I like the genre for its fat rhythms. Though I’m afraid that dubstep will have a future similar to drum&bass where producers take ideas almost only from inside the genre making the whole thing very introverted. There are lot’s of good innovative producers breaking the boundaries. For example, much hyped young british producer Joker impresses me with his fusion of dubstep rhythms mixed with g-funk hip hop.

I was going through my old records for the Milky club night yesterday. The theme for the night was to play 90′s music. Wall Of Sound label released lots of good records in mid-nineties. The thing was all about breakbeats back then. Trip hop, big beat and other genres haven’t really found their own places and that was a good time for innovative music. Wall Of Sound artist, British Mekon does hard edged electro house in collaborations with Duke Dumont among others nowadays but he did something very similar to dubstep as early as 1995. Revenge Of The Mekon features vocal clips from a british gangster Mad Frankie Frasier and the mood is dark and trippy. Guitar sample is familiar from somewhere, can’t remember. (You tell me better…) Anyhow, it sounds very dubstep to me, but almost a decade before the big boom of the genre.

Mekon – Revenge of The Mekon (zshare)

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  • Stinks

    The part about dubstep’s introversion really caught my eye. For the most dubstep fans it is a genre with almost no rules, it’s just around 140bpm, bassliney and broken beats. I don’t know any other genre that has successfully borrowed so many elements from different styles and in so short time span. Even all the big producers (like Skream, Benga and Mala) are going forward in their sound all the time and it is actually a lifeblood, since the core dubstep crowd is really demanding about the progressiveness and always want to hear something totally new. (Rusko is a good example: he kind of stuck into that same midrange driller sound and quickly became quite unpopular in his old fan crowd)

    In my opinion, the “death” of dubstep is more probable due to its excessive EXTRAversion that has already created lots of scattered subgenres and crossovers hardly identifiable as dubstep. If this keeps going on, dubstep is just going to fade into other genres, bringing some “fat rhythms” to a bigger domain.

    Btw that Mekon tune was a really nice proto find! :)

  • http://www.plauge.net hermanprime

    Good points Stinks! I ain’t much of a dubstep expert and I haven’t really searched new things on the genre so actively. But maybe that’s why dubstep sounds a bit homogenic to me. As a party dj I haven’t got into the nuance-oriented stuff innit, the super deep stuff if you know what I mean. What I really would want to hear more is dubstep remixes and dubstep sampling old stuff. I think I’ll do a dubstep edit of “Independent women”. :D